The work presented continued until the mid-1970s, when a profound change takes place: the generation of the conceptual rethinked the art making and re-immerged itself in the “nostalgia for painting”. In 1977, Ferruccio De Filippi presented, again at the Salita, the work “La strada del latte” (The way of milk) which made a contribution to the iconographic experimentation of those years. Over time the works lose all type of narration and any historical reference. Currently, his research is directed towards a recovery of the form and the elaboration of anticlassical iconographies that live in the depths and that escape the historical conscience. This is why he also makes use of the terracotta sculpture with the technique of the engobe or painted.