Marco Schifano – Name It!

Marco Schifano
Palazzo Taverna / Via di Monte Giordano, 36 / Rome
September 23, 2021 / October 16, 2021
Tuesday – Saturday / 11:00 am – 6:00 pm by appointment

From Thursday, September 23 through Saturday, October 16, 2021, EDDart presents the exhibition Marco Schifano, Name It! in the gallery spaces at Palazzo Taverna, Rome. The exhibition focuses on the artist’s most recent photographic research, based on the creation of a utopian alphabet composed of flowers and animals.

The project originates from the artist’s desire to give his daughter a photograph of colorful flowers: the idea is that, over time, a child might come to understand that from the perfect aesthetics of that form, her name will one day emerge. In this way, Schifano’s unreal compositions enter everyday life for the first time, becoming sounds as well as forms. The aesthetic and illusory search for a new reality lies at the core of his work.

The twenty-one photographs on view, like the twenty-one letters of the Italian alphabet, were created by combining varieties of colorful flowers to enhance their aesthetic and visual impact. As Edward Steichen once said, “Every artist begins with a blank canvas, a piece of paper… the photographer begins with the finished product,” a statement that resonates strongly in this case when considering Schifano’s technique. The photographic act is only one part of the artist’s long creative process, which is based on meticulous work composing settings that are photographed and then fused together.

Marco Schifano
Vive e lavora a Roma. Sin dall’infanzia i suoi “giocattoli” sono cineprese e macchine fotografiche, con le quali cresce sperimentando la propria capacità comunicativa. Si esercita nel “montaggio in macchina” per ottenere filmati dove fonde le sue ricerche sul senso e sul ritmo: tante ore di girato e un gran numero di scatti per arrivare a una propria rappresentazione estetica del mondo. La sua opera fotografica più recente si basa su una processualità complessa che prevede una lunga ricerca preliminare di elementi coordinati, assemblati e quindi ripresi per dare vita a iconografie altamente formalizzate. Lo still life è usato per rileggere la tradizione pittorica della natura morta, attraverso immagini che si collocano sulla soglia tra realtà e finzione.